February 12, 2013
Drake is Gross…

I don’t know what the fuck is going on …


I have listened to Action Bronson talk about wanting to put knives in buttholes, Miguel declaring my pussy his (false), Schoolboy Q talk about how he loves to hear that pussy purr (in my dreams!), and MY FAVORITE lyric by Skeme and Schoolboy Q “cotton candy, sweet as gold, let me see your pussy hole”, but Drake’s video grosses me out.


Firstly, he’s the worst. He’s all smile with no heart. His lyrics are empty - and in fact there aren’t any real substantial lyrics here, just this continual reassurance that he started from the bottom. Did I miss something? Is there a whole host of poetry? I just hear a beat and a man protesting too much about his ability to be more than just a smile and a former child star. It doesn’t matter how many times he says it, we all know that his hip hop career wasn’t from the complete bottom. Being a teenage star in Degrassi, no doubt helps. It’s evident, because he has absolutely nothing to say.

Secondly, this video. It is vile because it is under the guise of good naturedness, but only perpetuates the objectification of women - but not in a standard “video vixen” sort of way, where women could arguably be in control of their objectification, but the fact that they are rather passive in this construction. What’s most uncomfortable is the real world application… So we’re supposed to find it hilarious when a woman just wants to purchase lip balm, but has to stand while the clerk victimizes her, stares at her tits and for a moment is held hostage by his gaze - then she is passed over for yet another chuckle worthy dude - who continues to hold her up, lies, but because he’s arguably (far more arguably, because he’s a complete lech) more attractive than the first, she comes across as interested and all the possible threat is minimized, because it is assumed she was into it the entire time. Sexual harassment is the new pickup line. This is followed by clips of headless women gyrating - I don’t know if they get paid more or less if their faces are on camera - but they sure are being watched by drunk, panting, sweaty dudes, who can’t believe their luck.

What bothers me most is the dishonesty. I would much rather have somebody straight up objectify women, then attempting to back away, disassociatie, and hide behind the guise of “irony.” Drake is for me more threatening, because he acts not only as if it is natural, but as if he deserves it - it’s his right as a man to ogle, to harass, and women should get on board. What’s frightening is that he’s kind of right to think that, considering he’s the mainstream golden boy and because he’s come at Chris Brown in defense of Rihanna - and because of that is viewed as Prince Charming (though, I have a problem with a defender who has a sword in one hand and an unsuspecting boob in the other).

Aubrey (Drake) is the roofie guy, the guy who street harasses women while they walk in the middle of the afternoon, and the kids who laugh and brag about the girls they and their friends taught lessons to earlier that week.

Rather than talk about explicit lyrics, let’s talk about this…let’s talk about the way in which all of what those like Aubrey perpetuate has been naturalized by the music industry - that rather than play songs that deal explicitly with race, MTV will play this shit. Will give it award and Drake will continue to make drudge after drudge after drudge - while anything remotely challenging will further be contextualized as more dangerous, more underground - and I’m not sure if more accessible. The problem with the internet’s openness is that it’s easy to get lost and we often times just stick to what we know or with that which is familiar.

We should all just listen to Prince.

But since he’s all about legality, this will have to do - a bit of Venus and Furs …

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August 8, 2012
madgibbs

Madlib and Gangsta Gibbs put out the follow-up video to “Thuggin,” finally. I really can’t wait for a full-length from these two. It’s also really awesome to see that the continuing narrative across a series of music videos motif hasn’t died.  

August 6, 2012
Holy Shit Alchemist is Better than Everything Else (Ever)

I’m not a huge Odd Future fan … but, if they keep doing tracks with ALC on the boards (and the occasional guest verse from Action Bronson), then I’m gonna go buy one of their edgy t-shirts.
 

No Idols is the release of the year, so far. God damn incredible. I’d really like to see Alchemist do a full EP with Hodgy though … the two tracks released earlier this year were just too good:

August 6, 2012
daily obsession

We don’t need no diamond rings, all we need is a drum. Like, “Fuck it! He can rhyme I’ll sing!”

August 5, 2012
daily obsession

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August 4, 2012
daily obsession

July 17, 2012
Ugh, No Doubt.

I know that a lot of people were creaming their jeans over the No Doubt reunion. It’s been eleven years, so a decent time to get Adrian off the couch and Tom’s nose out of a book (nerd). I am not part of the homecoming court and wasn’t checking off the list of teases, nor counting down the days until songs and videos premiered. I haven’t cared about No Doubt since their 2000 album, Return to Saturn, but you try to be a fifteen year old girl listening to “Bathwater.” It’s sheer poetry. 

Before I get into what I don’t like about No Doubt, I’m going to offer a few concessions: 

I really like(d) Tragic Kingdom. I was twelve and it’s pretty much an entire rock album about how much it sucks to be a girl - Not wanting to be bothered, dealing with gender constraints and frustrations, and heartache that at twelve I couldn’t wait to identify with (actually at twenty seven, I’m still keeping my fingers crossed), and a relative disinterest in just about everything. 

I always thought Gwen Stefani was a pretty ok lady. In interviews she always comes across as an awkward nerd who made good. This was also before nerd-chique hit hard. Plus, she actually has a voice and is a show-woman, both I greatly admire during a time where all you need to do is pat your pussy on live television to be a fan favorite (Yeah, Rihanna, I said it. We all said it). 

These two things aside, I have never been a superfan of No Doubt. I hadn’t missed them these past 11 years; in fact, when I heard they were getting back together, my first thought was “Why”? It was not so much that I am against it. Nostalgic 90s should be cashed in on by all the bands of my youth. 

I remembered why I didn’t care when I heard and saw their single, “Settle Down”:

What the fuck is this?

Is their flavor Africana this album? 

That’s the problem with No Doubt as a band and a concept. They are about as worldly as the Real Housewives of New York in Morocco. There has always been something disconcerting about their “incorporation” of “otherness” in their music. It is used nothing more as a fad, fashion, or flavor than an actual acknowledgement of non-western music. 

Remember when Gwen Stefani was all about India while promoting Tragic Kingdom?

There have also been subtle references to a general “urban” look

Their follow-up was the ‘reggae/dancehall’ period

(Note: I do actually like “Underneath it All”)

Then came the hiatus…but don’t worry about missing out, because Gwen on her off time brought us a smattering of Japan:

and really just a hodgepodge of exotic otherness:

AND PIRATES!!!!

Am I saying it is inherently bad to experiment with sounds and mix Western with NonWestern - nope. But there’s a difference between pairing and sampling and appropriation. Do we really need more examples of tribal Africa? Geisha’s? Cholas? Without any kind of forethought as to what proliferating those images mean or do? Cultural identity is way more complicated than what is being offered and such simplicity does more harm than good when it used to just highlight the differences between blonde white girl and “other.” 

Note: Just because you went on a vacation does not mean you are an adopted citizen. You are not a Geisha because you bought that kimono in Chinatown. You are not African because of that drum you got at that store in the mall. Smoking pot to Bob Marley’s “Best Of” does not make you the bearer of the Rasta movement.

Do some research. 

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June 23, 2012

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May 1, 2012
I have questions

I have a bit of soft spot for Cher Lloyd and I don’t really know why, considering I’ve never been all that impressed by her singles. Maybe it’s because she seems like a fun Dickensian ragamuffin. 

“Want U Back” is one of those songs that I’ll probably play back quite a bit throughout the week, because it reminds me of 90s bubblegum pop and I’m feeling a bit nostalgic these days. 

I, however, have some questions/issues.

1. You dumped this guy because he was a goober with not much game. And now you’re livid that he’s found, presumably another goober? I’ve never quite understood why women are supposed to find ineptitude a precious quality. Are we really that hard up for companionship that we’re supposed to fight for ambivalent assholes? Though this is couched in the sweet overproduced sounds of pop music, I’ve been noticing this trend everywhere and with more frequency. Hubby can’t figure out how to boil water…oh that lovable lug, here’s a microwave meal. Dude can’t figure out how to operate a broom…pssh, men, here’s a swiffer! It’s really patronizing when women’s knowledge is only represented in comparison to idiots. The fact that we’re supposed to not only accept this, but to fight other women for dummies is a whole other category of gross.  

2. What restaurants did you go to? It’s rather ambiguous. McDonald’s claims to be a restaurant. You are currently in a diner (not really a restaurant, though I would argue most often better). Get a new place. 

3. When you dumped him, you thought he would cry. He didn’t give a fuck and so you want him back. Again, what message is this really putting out there? I think women are a bit confused and I’d like to clear things up. Mr. Darcy was a fictional character constructed and written by Jane Austen. His class and position dictated his stiff, somewhat unemotional personality and he was character from the 19th century. Now I like emotionally distant guys as much as the next girl. Not all assholes are Mr. Darcy; in fact, very few assholes are Darcy. Unless he’s willing to bust your sister out of a bum marriage, amend past mistakes by talking up your sister to his BFF, and looks like Colin Firth, he’s not a Darcy. If there’s no fight on his end, let that shit go. 

4. What things did you do first that he is now doing with her? The world does not begin and end with individual experiences. I’m sure most of the things this dude did were not the firsts with you and I’m pretty sure they weren’t your firsts either. The only thing I could think of was anal, but after racking my brain, I could not think of a narrative where women missed anal. 

5. Is it really all that difficult to spell out “you”? Call me nitpicky, but this text speak has gone a bit too far. You have spent more time capitalizing the U, than just writing it out. Is this supposed to be symbolic? A hint towards deconstructing the subject? Doubtful. Your arguments are invalidated as soon as you start U-ing all over the place. 

6. I don’t understand the layout of the video. You’re upset at the guy, so you humiliate the chick who had nothing to do with your break up (which you initiated). That’s not good sportsmanship. First, there is only one person at fault and it’s you. That new chick maybe an idiot, but only for falling for a guy who lacks the game you want back. Redirect your frustration. 

At least Neon Hitch is honest, which is really all I’m ever looking for. 

Simply, I can fuck you better. Another woman wiggles into the relationship. There’s an a sort of acceptance of the situation. Plus, Neon Hitch is not doing much to try and win this guy back, just stating the fact. Acknowledging he’s moved onto a lesser lady and that he’s missed out on some quality intimacy. 

This doesn’t excuse the U, but I’ll settle. 

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March 16, 2012
Broken Hearts and Empty Bottles.

Well, it’s not even 9 o’clock, and I’m half drunk and have nothing to do.  So, as per usual, I’ve been sitting here listening to 70s singer-songwriters sing about loneliness, broken hearts, and doomed relationships.  This is one of my favorite genres (and probably an early indication of alcoholism), so I thought I’d share a few of these gems.  So open a bottle, light up a smoke, and stare off into the middle distance as you listen to these mopey gems.

1) John Prine - “A Good Time”

Choice sad-sack lyric: “I had no idea what a good time would cost (cause? both work) ‘til last night, when I sat and talked with you.”

2) Townes Van Zandt - “Only Him or Me”

Choice sad-sack lyric: “Here’s to feelin’ bad / Sorry for the pleasures that we had”
 

3) Kris Kristofferson - “For the Good Times”

Choice sad-sack lyric: “There’s no need to watch the bridges that we’re burning” and “Make believe you love me one more time”

4) Bob Dylan - “If You See Her, Say Hello”
Choice sad-sack lyric: “If you’re making love to her, kiss her once for me.” and pretty much the whole fucking song.  Christ, Bob.

5) Leon Russell - “A Song for You” (if you’re listening to this around people, be prepared to tell them that those tears are merely from smoke getting in your eyes.)

Choice sad-sack lyric: “I treated you unkindly, but darling can’t you see there’s no one more important to me. Darling can’t you please see through me?” et al.  This one really takes the cake.  Super emotional vocals.  Fuckin’ Leon, man.
 

BONUS: Gram Parsons & The Fallen Angels - “Cry One More Time”
I had to put this one on here to end things on a semi-high note.  Even in sadness, Gram just makes me happy (plus, it’s hard to cry with a swingin’ saxophone playing).

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